So here I am, 9.00am Monday morning at Studiographic Park Row Bristol. I climb the stairs to the first floor reception area and I am greeted by my new boss Paul Smith. Paul has a good reputation as a portrait and wedding photographer and the display pictures on the wall are impressive. I am excited, what will be my first assignment? an outdoor shoot or maybe a studio shoot. I have not seen the studio yet and I can’t wait.
Paul shows me into another room, quite large and well lit, with windows at one end overlooking Park Street. There are work benches, a large print dryer, I had never seen one that big before, and a print washer. “This is where you will be working John, I will show you the darkrooms”. Well I suppose a ‘Trainee Photographer’ has got to start somewhere, But I am sure my first assignment will be soon. There were two darkrooms, one for printing, with two enlargers and a large rectangular sink for the processing dishes, and one for film processing that had three ‘deep tanks’, for developer, wash and fixer. They held about five gallons each and you could process up to twelve films at a time loaded onto spirals on racks. It suddenly became clear that this was ‘Commercial Photography’ a lot different to my one film at a time in my little Paterson tank.
I was shown a large cupboard where the Kodak Bromide Paper was kept, my eyes nearly popped out! I had always bought my paper in a pack of 25 sheets and I made do with one surface type and one contrast grade, normal grade 2. Here every box was 100 sheets in Glossy and Silk surface, double weight and single weight, three different sizes and contrast grades 1 to 4, soft, normal, hard and very hard. I had never seen so much photographic paper in one place.
Paul knew I had experience of printing, albeit as an amateur, so it was in at the deep end. “Start on these orders John and see how you get on”. I picked the top order from the tray, it was for wedding re-prints, the negatives were attached (120 6×6cm), black and white of course as color photography for weddings at this time was prohibitively expensive for most people. I glanced down the list, all neatly written out with the negative numbers, the quantity of prints from each negative and the sizes. I looked at the first negative on the list, there were usually 24 for each wedding, 2 rolls of 120 film. ‘12 8×6, 1 10×8 and 7 half plate’. Twenty prints, and this was just the first negative! The most I had ever printed from one negative was two. “Oh John, just use small pieces for test strips, I don,t want to see any paper wastage” Paul said as he left the room. (more…)