Purchasing the Right Lens

May 14th, 2010

One of the worst things fledgling photographers can do is be penny wise and pound foolish in their equipment purchasing decisions. I would strongly advise you to always purchase name brand lenses. If you own a Canon digital single lens reflex body, buy Canon lenses. This holds especially true in the case of Nature Photography. The price difference between an off brand lens could be measured far more than dollars in a few years down the road if it costs you potential clients, time and money. There is nothing worse than reviewing older images only to find gaping holes in the quality of the images simply because you opted to save a few dollars on your lens purchase. Remember to opt for the best quality lens you can afford. This especially holds true for long telephoto lenses or long zoom lenses. You are far better of saving your pennies and buying quality in the long run. It’s kind of like the old story of the hare and the turtle. Remember if there is a substantial difference in the price between a brand name lens and the off brand lens, chances are you are not just paying for the name.

One should have an array of lenses in their camera bag that compliments their camera body. Try to avoid buying super long wide angle to telephoto zoom lenses that offers the coverage of three lenses in one. Your image quality can be seriously compromised, for instance a 28mm-70mm lens will offer far superior images than a 28mm-300mm lens. Although it may seem like a good idea you are taking from Peter to pay Paul by using a lens with such a wide zoom range. Be aware fixed focal length lenses traditionally outperform zoom lenses. If we look at a 28mm f 2.8 lens and compare it the 28mm-300mm zoom, the fixed 28mm lens will out perform the zoom at the 28mm focal length hands down. It’s simply a matter of physics and lens design. Keep in mind all lenses are made up of groups of glass or epoxy elements lined up together making the optical formula of that particular lens. As you zoon in and out the groups of elements move inside of the lens barrel giving you the zoom range or optical formula of the lens. Be aware even the material of the lens barrel can affect the quality of your images. How so? A metal barrel will keep all the optical elements in critical alignment as you zoom in or out far better than a plastic or polymer barrel.

Many have argued the advent of computer designed zoom lenses perform nearly as well as fixed lenses. In some cases this can be true however remember to compare apple to apples. A Canon 100mm-400mm zoom may perform as well as the fixed Canon 400mm 5.6 fixed lens. By the same token there is little cost difference between these two lenses. If you live in an area where you can rent lenses, I highly recommend you do so as opposed to making your decision based upon a review of a competitive lens in a photography magazine. Keep in mind photography magazines do not survive through readership dollars they survive on advertising dollars. Long or short focal length, you do get what you pay for when it comes to lenses. Should you always spend top dollar on your lenses? Not necessarily but keep in mind what your objective is. If you just want to capture moments and images for you to enjoy and share with friends and family then maybe not. For those of you have serious aspirations or intentions of using your images in a commercial or competitive venue then the answer may very well be yes.

Using Expensive SLR Cameras at Weddings

April 26th, 2010

Most people see someone carrying expensive SLR cameras at weddings and are immediately struck by a sense of awe and respect, getting out of their way to let them take pictures of anything they like. SLR cameras have a distinctive look; the large barrel, the popup flash. They look like they mean business, unlike the slim point and shoot cameras that are designed to fit as much ability as possible into your pocket.

I own both an SLR and a point and shoot. Personally, I find that with a good enough point and shoot camera, the knowledge of how to use the manual settings is all I really need to produce a picture as good as one taken with the SLR. In some cases the picture may even turn out better, because my point and shoot has auto-focus and anti-shake technology built in. The limited ability to change exposure and aperture manually even helps, because it refuses to allow me to use a setting that will create an overly dim or overly bright picture.

Together, this means I can focus on creating the best frame and composition for each picture without worrying about whether it will turn out blurred, too dark, or too bright. With my SLR, I find myself taking the same picture over and over, adjusting settings minutely each time. Of course, given enough time and a tripod, say with a landscape scene, I can adjust everything until it produces an absolutely gorgeous picture. But in a wedding, where every moment is special and only occurs for an instant, I simply cannot afford the time to adjust my settings between each shot. It’s a balance between leaving the camera on one setting and hoping it works for every shot I take, and risking missing out on something important as I adjust exposure and aperture. With a point and shoot camera, I let the camera worry about the basic settings, trusting it to adjust for light for me, and focus on capturing the events of the day in the best composition I can.

Besides, I would believe most brides would care more about the photographer catching the absolute joy on their face as they say “I do”, than about how exact the light balance is in the background, as long as it is not completely wrong. The point and shoot camera can guarantee that my backgrounds will always look alright.

So why do so many camera companies sell the idea that an SLR is better than a point and shoot? For that matter, why do I own both? Well, as I said, when taking photographs of things that are not going to change significantly in the next 5 minutes, such as flowers or even models in a photoshoot, I can spend time fiddling with settings and produce National Geographic-worthy pictures. It’s also far better when I want to take artistic shots or play with focal lengths and perspectives, because I can force the camera into settings a point and shoot will never allow, creating all kinds of interesting and unusual pictures. Every once in a while one of these pictures will be stunningly beautiful and artistic. But at an event where every moment is different yet important, I prefer to use my point and shoot for the reasons I detailed above.

Camera companies are not completely wrong to say an SLR is better than a point and shoot. The SLR has the potential to produce pictures of amazing quality, perspective and artistry that the point and shoot will only be able to imitate. But that’s all it is, a potential. What it comes down to is the ability of the photographer to maximise the ability of his camera. In the hands of someone who knows exactly what setting to use for every shot, every possible scenario, every possible balance of light and shade, a point and shoot can produce better pictures than I can, stumbling around with my SLR.

Better Guide to Digital Photography For a Wedding – More Clients For Your Business

April 20th, 2010

When you are looking for a better guide to digital photography for wedding, there are some criteria that you need to follow. This is because; there are numerous digital wedding photography guides out there that only focusing on certain technical topic. It is important for wedding photographer to apply latest techniques in digital photography to get outstanding pictures. However it is more important to keep your business grow and maintain. Thus, whenever you are looking for digital wedding photography guide, you should also do not forget to learn how to increase your business profit. So, how are you going to get more clients for your business? Let’s find out the answer. 1. Do your business professionally Not many wedding photographers prepare complete agreements between them and their clients. Usually they will only prepare payment agreement and think it is enough. If you want to run a successful wedding photography business, you should prepare at least: a. Wedding photography contract your clients should signed. This is so crucial that determine smooth flow of you business while working with your clients. b. Extended time agreement. Seriously, this agreement will save you from a lot of hassles. c. Deposit reminder. This agreement will ensure you get your payment on time The guide should not only teach you the technical skills behind digital photography but also covers other important aspect for your business. The success of your business depends solely on how well you market and handle your wedding photography business. 2. Marketing your business effectively. The success of every business depend on two things namely good quality of product or service and marketing. Marketing plays a major role since this is how you expose your business and get more clients. how should you market your wedding photography business? Joint venture is one of the powerful ways to improve your business. There are many business and people involve in wedding event. Make up artist, catering, wedding cake business and many more. Take an action to do joint venture with them and see how your business sell. Most wedding photography businesses take longer time to really successful in this field. Learn how to cut the time by visiting my Better Guide To Digital Photography For Wedding page.

Shooting the Moon – Learn the Secret on How to Take Perfect Pictures of the Moon

March 4th, 2010

Sorry for not posting for  while. I was busy doing something else. Now I’ve come back to give  you tips. :)

Photography in the moonlight follows the general rules for night shooting, but remember that the moon is a relatively strong light source, so if you want to include it in the image, it can easily become overexposed. When the graceful sunset is replaced by the more subtle and mysterious moon, then this is part of what makes moonlight so well suited for photography. The special light, the magical atmosphere, which cannot be reproduced by all kinds of studio setups.

Although we have a beautiful photograph of a full moon and dark cloudless sky, perhaps also with other elements such as large trees, beautiful buildings, or a daring bridge construction.

Almost everyone who pulls out the mobile phone or compact camera and snapping the moon will be disappointed when the results are available. Most often, the moon appears as a fuzzy circular light.

How is it that the moon that glows so clear and makes so much of himself in the night sky is so little photogenic?

The photographic challenges is that the moon is much brighter than the sky and the rest will be exposed if we do not set the camera correctly. Moreover, the moon is far away and make up a very small portion of the image surface using normal lenses. And it’s also in motion…

The first commandment is clear weather and clear view. To take good pictures of the moon, which is small, far away and moving, you need a telephoto lens and a tripod (or good support). Turn off the anti-vibration function if you use a tripod. To avoid overexposure, use a short shutter speed. For best control, select manual tuning. I recommend aperture f/11 and shutter speed 1/250 sec.

How to Turn Your Digital Camera Hobby Into a Money Making Business

November 2nd, 2009

Make Money With Your Digital Camera

Turning a hobby or pastime like digital photography into a money making deal can offer possibilities of generating extra income for the person with a creative and entrepreneurial mind. With the current technology and quality of digital cameras, paired with the wide reach of the internet, many photographers can offer their products and services online. Below are some ways to cash in on the digital photography wave.

Follow the People

You must know what people want. Make your presence felt in the places people are. There are many places you can go where people would want their photos to be taken, somewhere memorable. You can offer your service during parades, concerts, competitions, gatherings, parks, and just any tourist attractions people might be compelled to have their pictures taken. It would help if you had your own business card, present your services to the crowd and start taking those photos. Open a legitimate website where people can view their photos and they can just choose to buy what they prefer.

Create Novelty Items

If you have access to software that can create novelty items that allow you to superimpose people’s images to a background, make use of it. Advertise yourself and offer a variety of unique services to companies. Take note of the additional expenses you might accumulate, including time and travel expenses to each item. This could add to your profit margin. Read the rest of this entry »

How Take Great Photos With Your Point and Shoot Digital Camera

October 6th, 2009

In most instances to take professional quality pictures you need an expensive DSLR camera and photography equipment. That though doesn’t mean you cannot take excellent pictures using a point and click digital camera.

It is having the knowledge that is the key to taking good pictures for example if you give Tiger Woods a set of worn out clubs he would probably still be able to out drive most people. It is his skill and the practice that he has put in that makes him so good. It is the same with photography. A good place to start it perspective and composition. Read the rest of this entry »

Light and Color in Photography

September 24th, 2009

Light is one of a photographer’s most important considerations. In fact, any photograph captures the effect of light on objects, whether taken in natural light or the warm glow of incandescent light. A photographer who understands how the eye and lens perceive the color spectrum can make full use of light in photography.

The Color Spectrum
Both the natural light of the sun and artificial incandescent light appear white to the naked eye. However, if you shine light through a prism, it splits into a rainbow of colors. This effect shows how the “color” white contains every shade in the color spectrum.

When light hits an object, the object absorbs some of the color spectrum and reflects back the rest of the colors. The portion of the color that is not absorbed by the object but reflected back to eye is the color that the object appears to the human eye. For instance, a white wall reflects most of the color spectrum black. So our eyes (and the camera lens) see white. While a red rose reflects the red portion of the color spectrum and absorbs the rest, a black object absorbs the entire color spectrum. Read the rest of this entry »

Photographing Babies and Children at Birthday Events and Capturing the Candid Moments

August 25th, 2009

The precious opportunities can occur anywhere, like in the bath, tasting new foods for the first time, or during cuddles before bed. Even when out and about, the expression they have while feeding the ducks down at your local park. Keep on the lookout and keep your camera near by.

Other fantastic photo opportunities in your child’s life happen every year, like their birthday parties, Christmas, Easter etc.

These opportunities in the past have not been well represented with amazing photos; the photos are kept because they are your family not because they are terrific photos. Have you ever had anyone exclaim, that the birthday photo you have of your child is amazing? Potentially yes though in most peoples realities the answer is unfortunately no!

Yet they happen every year so it can be mastered.

What are some ideas that can help to shoot great birthday shots; these can be applied for any party or event.

Preparation for the party is important, if you have planned the party you will already know the room layout or where the majority of time is going to be spent. Look around before the party starts and mentally note down some angles that the lighting would be great for shooting photos from and that there are no ornaments or obstacles in your line of shot.

Know your obstacles, as mentioned above. Though in reality are you going to a have the time to take the photos as well as organising everything else for the party? Maybe have someone else as the photographer? Or someone else brings the cake in? Can you manoeuvre into the perfect place or is it easy access for you? These are all things to think about prior to the party starting.

Where is the main table set up? Is it rectangular or not? If it is rectangular then take the photos from facing the long end of the table, this way all the children will be in focus.

To use flash or not! Try some with the flash and some without, if organised ahead, try different ISO settings on your camera to see how high it can go before the shots become grainy looking. Read the rest of this entry »

Galleries of wild life

August 19th, 2009

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Cameras for Dads and Grads

August 18th, 2009

Cameras are great gifts for dads and grads, but deciding which one is the right one can be tricky. Here are some tips to help you make the best choice.

Film or Digital
This debate can get quite lengthy, and I use both film and digital. But I will make this easy for you: Unless you’re buying a camera for a professional photographer, go with digital. Digital is more convenient and there are no film costs. If your dad or grad falls in love with photography, he or she may eventually want a film camera as well. At that point, you can congratulate yourself for introducing someone into the wonderful world of photography. You can also be certain that from that point forward, your dad or grad will never be shy about letting you know exactly what he or she wants when it comes to photography equipment. Read the rest of this entry »